Shows Goethe, the most famous of German writers, as a child of the Enlightenment. Throughout his oeuvre Goethe invokes the writers and thinkers of the Enlightenment: Voltaire and Goldsmith, Sterne and Bayle, Beccaria and Franklin. And he does not merely reference them: their ideas make up the salt of his most acclaimed works. Like Hume before him, Goethe takes up the topic of suicide, but in a best-selling novel, Werther; the beating heart of Faust I is the fate of a woman who commits infanticide, a burning social issue ofhis age; in an article for a popular journal Goethe takes up the cause of Kant and Penn, who wrote treatises on how to establish peace in Europe. In another essay Goethe calls for reconciliation between Germans who had fought against each other in those same Wars, as well as for worldwide understanding between Christians, Jews, Muslims, and Heathens. Professor Kerry shows that Goethe is a child of the Enlightenment and an innovator of its legacy. To do sohe discusses a chronological swath of Goethe's works, both popular and neglected, and shows how each of them engages Enlightenment concerns. Paul Kerry is Professor of History at Brigham Young University.

The conversation, sometimes heated, about the influence of Christianity on the writings of J.R.R. Tolkien has a long history. What has been lacking is a forum for a civilized discussion about the topic, as well as a chronological overview of the major arguments and themes that have engaged scholars about the impact of Christianity on Tolkien's oeuvre, with particular reference to The Lord of the Rings. The Ring and the Cross addresses these two needs through an articulate and authoritative analyses of Tolkien's Roman Catholicism and the role it plays in understanding his writings. The volume's contributors deftly explain the kinds of interpretations put forward and evidence marshaled when arguing for or against religious influence. The Ring and the Cross invites readers to draw their own conclusions about a subject that has fascinated Tolkien enthusiasts since the publication of his masterpiece, The Lord of the Rings.

The Enlightenment, an eighteenth-century philosophical and cultural movement that swept through Western Europe, has often been characterized as a mostly secular phenomenon that ultimately undermined religious authority and belief, and eventually gave way to the secularization of Western society and to modernity. To whatever extent the Enlightenment can be credited with giving birth to modern Western culture, historians in more recent years have aptly demonstrated that the Enlightenment hardly singled the death knell of religion. Not only did religion continue to occupy a central pace in political, social, and private life throughout the eighteenth century, but it shaped the Enlightenment project itself in significant and meaningful ways. The thinkers and philosophers normally associated with the Enlightenment, to be sure, challenged state-sponsored church authority and what they perceived as superstitious forms of belief and practice, but they did not mount a campaign to undermine religion generally. A more productive approach to understanding religion in the age of Enlightenment, then, is to examine the ways the Enlightenment informed religious belief and practice during the period as well as the ways religion influenced the Enlightenment and to do so from a range of disciplinary perspectives, which is the goal of this collection. The chapters document the intersections of religious and Enlightenment ideas in such areas as theology, the natural sciences, politics, the law, art, philosophy, and literature.

Africa: What It Gave Me, What It Took from Me is a memoir of an extraordinary woman who, as a newlywed, travelled with her husband to German South West Africa, a colony situated just above South African on the Atlantic coast. Here they begin a farm in a quite remote area where they raise cattle, sheep, and goats and plant large gardens on the banks of the Omaruru River. They build a comfortable home and welcome their first child. As the von Eckenbrechers work hard to build, their farm natives, whose land has been appropriated by the colonial government, are planning a revolt against colonial rule. Insurrection begins and the von Eckenbrechers are in the midst of it all. As the rebellion strengthens, Frau von Eckenbrecher returns to Germany to wait out the insurrection. Her husband eventually returns as well. Frau von Eckenbrecher never feels completely at home again in Germany. The von Eckenbrechers divorce and Frau von Eckenbrecher returns to South West Africa with her two sons. Her former husband emigrates to Paraguay. Frau von Eckenbrecher eventually takes a position in a German language school in Windhoek, the capital city, and rears her two sons there. In her book she chronicles colonial life, the natives of the colony, how the Spanish Influenza pandemic raged in Namibia, World War I in Africa, German surrender, and the South African occupation of German South West Africa and the eventual ceding of the colony to South Africa. We bring the memoir to a close with an update of Frau von Eckenbrecher's later life and death, and a short remembrance from one of her two grandsons.

This volume attempts to throw fresh light on two areas of Benjamin Franklin's intellectual world, namely: his self-fashioning and his political thought. It is an odd thing that for all of Franklin's voluminous writings-a fantastically well-documented correspondence over many years, scientific treatises that made his name amongst the brightest minds of Europe, newspaper articles, satires, and of course his signature on the Declaration of Independence and the U.S. Constitution-and yet scholars debate how to get at his political thought, indeed, if he had any political philosophy at all. It could be argued, that he is perhaps the American Founder most closely associated with the Enlightenment. Similarly, for a man who left so much evidence about his life as a printer, bookseller, postmaster, inventor, diplomat, politician, scientist, among other professions, one who wrote an autobiography that has become a piece of American national literature and, indeed, a contribution to world culture, the question of who Ben Franklin continues to engage scholars and those who read about his life. His identity seems so stable that we associate it with certain virtues that apply to the way we live our lives, time management, for example. The image of the stable figure of Franklin is applied to create a sense of trust in everything from financial institutions to plumbers. His constant drive to improve and fashion himself reveal, however, a man whose identity was not static and fixed, but was focused on growth, on bettering his understanding of himself and the world he lived in and attempted to influence and improve.

This volume attempts to throw fresh light on two areas of Benjamin Franklin s intellectual world, namely: his self-fashioning and his political thought. It is an odd thing that for all of Franklin s voluminous writings a fantastically well-documented correspondence over many years, scientific treatises that made his name amongst the brightest minds of Europe, newspaper articles, satires, and of course his signature on the Declaration of Independence and the U.S. Constitution and yet scholars debate how to get at his political thought, indeed, if he had any political philosophy at all. It could be argued, that he is perhaps the American Founder most closely associated with the Enlightenment. Similarly, for a man who left so much evidence about his life as a printer, bookseller, postmaster, inventor, diplomat, politician, scientist, among other professions, one who wrote an autobiography that has become a piece of American national literature and, indeed, a contribution to world culture, the question of who Ben Franklin continues to engage scholars and those who read about his life. His identity seems so stable that we associate it with certain virtues that apply to the way we live our lives, time management, for example. The image of the stable figure of Franklin is applied to create a sense of trust in everything from financial institutions to plumbers. His constant drive to improve and fashion himself reveal, however, a man whose identity was not static and fixed, but was focused on growth, on bettering his understanding of himself and the world he lived in and attempted to influence and improve."

Friedrich Schiller (1759-1805) absorbed the fertile ideas of the German Enlightenment, observed first-hand fresh developments in German Romanticism, and fostered one of Europe's last great Classical movements. His insights into the human condition have endured and are as valuable now as they were when he first wrote. His characterisations of human nature remain compelling and his stylistic achievements in language continue to be admired and studied. His writing spanned many genres - poetry, prose, drama, history, philosophy - and includes a rich correspondence with Goethe. In this volume, an interdisciplinary and international group of scholars examines the many sides that Schiller displays. The contributors illuminate key facets of his ideas by organising his writing around his various vocations: his medical training; work as a poet, young dramatist, and author of literary prose; his tenure as a university professor and historian; the mutually productive partnership with Goethe; his philosophical writings; and his final years as a mature playwright. His afterlife, what Schiller has meant to Germans for two centuries, is also considered.

That Thomas Carlyle was influential in his own lifetime and continues to be so over 130 years after his death is a proposition with which few will disagree. His role as his generation's foremost interpreter of German thought, his distinctive rhetorical style, his approach to history via the "innumerable biographies" of great men, and his almost unparalleled record of correspondence with contemporaries both great and small, makes him a necessary figure of study in multiple fields. Thomas Carlyle and the Idea of Influence positions Carlyle as an ideal representative figure through which to study that complex interplay between past and present most commonly referred to as influence. Approached from a theoretically ecumenical perspective by the volume's introduction and eighteen essays, influence is itself refigured through a number of complementary metaphorical frames: influence as organic inheritance; influence as aesthetic infection; influence as palimpsest; influence as mythology; influence as network; and more. Individual essays connect Carlyle with the persons and publications of Mathilde Blind, Orestes Brownson, John Bunyan, G. K. Chesterton, Benjamin Disraeli, George Eliot, T. S. Eliot, Ralph Waldo Emerson, Johann Wolfgang von Goethe, James Joyce, William Keenan, Windham Lewis, Jules Michelet, John Stuart Mill, Robert Owen, Spencer Stanhope, John Sterling, and others. Considered as a whole, Thomas Carlyle and the Idea of Influence assembles a web of conceptual and intertextual connections that both challenges received understandings of influence itself and establishes a standard by which to measure future assertions of Carlyle's enduring intellectual legacy in the twenty-first century and beyond.

The conversation, sometimes heated, about the influence of Christianity on the writings of J.R.R. Tolkien has a long history. What has been lacking is a forum for a civilized discussion about the topic, as well as a chronological overview of the major arguments and themes that have engaged scholars about the impact of Christianity on Tolkien's oeuvre, with particular reference to The Lord of the Rings. The Ring and the Cross addresses these two needs through an articulate and authoritative analyses of Tolkien's Roman Catholicism and the role it plays in understanding his writings. The volume's contributors deftly explain the kinds of interpretations put forward and evidence marshaled when arguing for or against religious influence. The Ring and the Cross invites readers to draw their own conclusions about a subject that has fascinated Tolkien enthusiasts since the publication of his masterpiece, The Lord of the Rings.